![]() Of Brosia, pretending to sweep the floor, but is actually listening in on conversations in the living room.īut placed on top of these drafts was a worn-out book, that seemed to say more about Pol Medina, Jr.'s current predicament than any other piece of writing in the room. Of Mang Dagul, holding a pan in the kitchen. Half-finished drawings of Polgas doing martial arts. Scattered all over it are strips that have not even seen print. In the outer room is Medina's worktable, where the obese characters of "Pugad Baboy" take shape and come to life. Pushing against one segment of the bookshelf reveals an inner workspace, where lies pitched a 2-man tent, for moments of exhaustion, or perhaps for battling bouts of writer's block. Old "Pugad Baboy" issues line the shelves, mixed with books from other authors. The attic is split in half by a bookshelf that runs across the whole space. works from home, in his attic, a space that consists of just the right amount of clutter and order that one can tell it's been that way – and has worked well that way – for a while. Sa kaka-push ko nang ganun, na-overstep ko yung threshold ng good taste. ![]() Kaya naging bold ako eh… aba okey ah, nailabas yung strip ko tungkol sa black comedy. ![]() ![]() Tapos pumapayag yung editorial staff ng Inquirer na ilabas. Kasi sinusubukan ko kung hanggang saan ako pwede lagi eh. Ito yung mga guidelines na hindi mo io-overstep. "Binigyan ako noon ng guidelines eh, ng Inquirer. ![]()
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